It is no exaggeration to declare Neil Mathieson’s production a certified five-star stunner.

This deftly directed production led its audience through the whirlwind world of showbiz from the 1900s to the roaring ’20s with plenty of panache.

Beautifully interjected animations and projections took this production to a whole new level and, combined with a larger than life cast with brilliant timing (hats off to choreographer Georgina Smith) and bags of energy, could not fail to impress.

Frank Ewins cut a rakish Mack Sennett, the two-reel comic film producer who discovers the delightfully engaging Mabel Normand, played by Louise King.

Strong performers both with singing talent worthy of the professional stage; Louise King soared through several numbers that would have turned Judy Garland green.

Lorraine Rowan was also a joy to watch as the sassy, no-nonsense Lottie.

The cast were donned in costumes worthy of a wardrobe mistress who has missed many a night’s sleep with her frantic needle, and the live band led its performers with pace.

An all-round riotous romp of an evening.