AFTER a few too many less-than-great performances of Swan Lake, I have to admit, I've become somewhat picky over which ballet companies I go and see these days.
But Birmingham Royal Ballet is undoubtedly one I would watch time and time again.
The company is currently touring with a unique mix of works aimed at showcasing the splendour of dance itself and taking audiences on a journey around the world.
The diverse programme began with the rather quirky Solitaire, a game for a girl and her dancers, set to composer Malcolm Arnold's English Dances. Lighthearted and fun.
What followed was a complete contrast - Frederick Ashton's extended pas de trois, Monotones II, set to music by Erik Satie.
The stark simplicity of the white catsuits meant every movement was completely exposed, allowing for nothing less than perfection - which was exactly what the trio delivered. Quite simply, mesmerising.
Four Scottish Dances lightened up the proceedings, with a series of witty, uplifting numbers, before the drama of Hans van Manen's 5 Tangos, translating fiery and passionate Argentinian music into ballet/tango movement.
Aside from one extremely unfortunate tumble, the company, perfectly accompanied by members of the acclaimed Royal Ballet Sinfonia, presented a flawless programme, which has hopefully shown audiences that ballet is so much more than Sugar Plum Fairies and dying swans.
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