DORSET will be making an appearance on the big screen when Christopher Nolan’s Dunkirk is released today.

The wartime epic, which stars Tom Hardy, Harry Styles, Cillian Murphy, Kenneth Branagh and Mark Rylance, features scenes that were shot in Swanage and Weymouth.

It documents the evacuation of more than 300,000 British and Allied soldiers from the beaches of Dunkirk, France, during the Second World War.

In May 1940, Germany advanced into France, surrounding Allied troops and leaving them trapped on the beaches of Dunkirk. Under cover from British and French forces, troops were evacuated from the beach by a hurriedly assembled fleet of every working vessel that could be found. The evacuations took place in between May 26 and June 4, 1940.

Despite being no victory, it is one of the key success stories of British history. Some see Hitler’s failure to capture the British army at Dunkirk as one of the central turning points of the war.

Harry Styles caused quite a stir when he was spotted filming at Swanage Railway last summer with the railway partially closed while filming took place.

He was later seen filming in Weymouth with Peaky Blinders actor Cillian Murphy.

The film has earned favourable reviews with it being described as ‘heroically British’ and Nolan’s ‘best film so far’.

You can read the review by Press Association reviewer Damon Smith below

Dunkirk review (12A, 106 mins) 8.5/10​

Brevity is the soul of writer-director Christopher Nolan's harrowing wartime drama.

In his shortest feature since the acclaimed 1998 debut Following, the Oscar-nominated filmmaker crafts a stunning mosaic of personal stories of hard fought triumph and agonising defeat against the sprawling backdrop of the largest evacuation of allied forces during the Second World War.

Nolan adopts a stripped back approach to storytelling that jettisons dialogue for long sequences.

He sets our nerves on edge in the hauntingly beautiful opening scene and steadily tightens the knot of tension in our stomachs until we are physically and emotionally spent.

Pulses race in time with composer Hans Zimmer's terrific score, which includes a soft percussive beat like a clock ticking down to doomsday, and a new arrangement of Elgar's melancholic Nimrod from Enigma Variations.

By keeping his script lean, Nolan allows us to remain white-knuckle taut in our seats for the duration.

However, strict rationing of screen time comes at a price.

Characters' fates intersect on oil-slicked sea, land and air largely without back-stories and when we do learn about these brave men's pasts, it is predominantly through expository dialogue.

Young British soldier Tommy (Fionn Whitehead) escapes a hail of German bullets and races to the beaches of Dunkirk, where over 300,000 exhausted men await rescue.

Tommy huddles alongside terrified recruits Gibson (Aneurin Barnard) and Alex (Harry Styles), whose fates rest in the hands of Commander Bolton (Kenneth Branagh) and Captain Winnant (James D'Arcy).

The officers take tough decisions about the order of evacuation under enemy fire.

"One stretcher takes the space of seven standing men," coolly observes the Commander.

On the other side of the Channel, sailor Mr Dawson (Mark Rylance) answers Winston Churchill's impassioned call for civilian boats to rescue our boys.

He is accompanied by his surviving teenage son, Peter (Tom Glynn-Carney), and the lad's friend, George (Barry Keoghan).

At sea, the family rescues a shell-shocked soldier (Cillian Murphy) from the hull of an overturned vessel and witnesses a dogfight between German fighter planes and Royal Air Force spitfires piloted by Farrier (Tom Hardy) and Collins (Jack Lowden).

Dunkirk glisters in fragments, which slot together to form a compelling and deeply moving narrative that captures this page in recent history from multiple perspectives.

The ensemble cast is excellent, including One Direction dreamboat Styles, who confidently hefts the emotional weight of one nerve-jangling stand-off in a sinking boat.

Aerial sequences are breathtaking, especially in the immersive 70mm format, which projects at selected cinemas and should be sought out wherever possible.

Sound design is also striking, most notably when Zimmer's score surrenders to the ears-splitting scream of dive-bombing Luftwaffe targeting British soldiers on the sand.

When the Oscar nominees are announced in January next year, you can be sure that Nolan and his gifted technical crew will be leading the charge.

Damon Smith