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Now showing at ABC Bournemouth 27-28,Westover Road,Bournemouth,Dorset BH1 2BZ 0871 224 4007

  • Dawn Of The Planet Of The Apes
  • Dawn Of The Planet Of The Apes 3D
  • Mrs Brown's Boys D'Movie
  • Pudsey The Dog: The Movie
  • The Fault In Our Stars
  • Transformers: Age Of Extinction

Dawn Of The Planet Of The Apes 4 stars

movie title

Simian flu has ravaged the globe, killing almost the entire human race. In San Francisco, one-time military man Dreyfus, who lost his entire family to the virus, leads the human survivors. The truce between humans and apes is tested to breaking point when a diplomatic mission led by Malcolm, his wife Ellie and teenage son Alexander enters the forest to request access to the O'Shaughnessy Dam, which provides the city with its electricity.

  • GenreAction, Adaptation, Drama, Romance, Science Fiction, Thriller
  • CastKeri Russell, Gary Oldman, Andy Serkis, Kodi Smit-McPhee, Jason Clarke, Toby Kebbell.
  • DirectorMatt Reeves.
  • WriterMark Bomback, Amanda Silver, Rick Jaffa.
  • CountryUS
  • Duration130 mins
  • Official sitewww.dawnofapes.com
  • Release17/07/2014

Blending state-of-the-art special effects with an intelligent script, Dawn Of The Planet Of The Apes conjures two hours of animal magic that looks set to be crowned king of the blockbuster swingers. Tim Burton's abortive Planet Of The Apes is now a distant memory thanks to the 2011 revamp Rise Of The Planet Of The Apes and this superior sequel, which pushes the art of motion-capture performance to new limits.

Andy Serkis' exemplary work as Caesar, the super-intelligent chimpanzee who leads the ape uprising, is the film's emotional heartbeat. His ability to convey the character's rage, despair and passion through movement and subtle gesture is breathtaking.

Toby Kebbell is also compelling as Caesar's war-mongering rival, who believes the key to his species' survival is the extermination of humans. Mark Bomback, Rick Jaffa and Amanda Silver's script elegantly draws parallels between the feuding primates, juxtaposing tender scenes of parenting with bruising skirmishes that create divisions on both sides.

Ten winters have passed since simian flu ravaged the globe. In the absence of law and order, basic resources such as water, food and electricity are dangerously depleted. One-time military man Dreyfus (Gary Oldman), who lost his entire family to the virus, leads survivors of the ALZ-113 virus in San Francisco.

He dispatches a team led by family man Malcolm (Jason Clarke) to access the O'Shaughnessy Dam, which provides the city with electricity. In the forest that envelops the dam, the scouting party encounters apes led by Caesar, including his ambitious second-in-command Koba (Kebbell), impetuous son Blue Eyes (Nick Thurston) and Bornean orangutan Maurice (Karin Konoval).

Malcolm's trigger-happy compatriot Carver (Kirk Acevedo) shoots one of the apes and the humans are banished to their stronghold. Once Dreyfus learns about the neighbouring ape community, he asks Malcolm and co to refrain from telling the other survivors.

"They're talking apes with big-ass spears!" shrieks Carver. Malcolm realises that he must earn Caesar's trust to gain access to the dam so he prepares to return to the forest with wife Ellie (Keri Russell) and teenage son Alexander (Kodi Smith-McPhee).

"If you're not back in three days, we're going to go out there and kill every last one of them," warns Dreyfus.

Dawn Of The Planet Of The Apes is a slick thrill ride with brains as well as brawn. The grim mood, which permeates the first half, leads to all-guns-blazing war and director Reeves orchestrates these brutal sequences with elan.

Digital effects are jaw-dropping, giving birth to a realistic army of blood-thirsty apes who cram every chaotic, blood-spattered frame. The film's strong anti-gun message comes through loud and clear, but the appetite for destruction overpowers diplomacy.

"I always think ape better than humans," laments Caesar as his dream of lasting peace founders. "I see now how like them we are."

Showtimes (Click time to book tickets)

Tuesday 22nd July 2014
Wednesday 23rd July 2014
Thursday 24th July 2014

This film is also showing at:

Dawn Of The Planet Of The Apes 3D 4 stars

movie title

Simian flu has ravaged the globe, killing almost the entire human race. In San Francisco, one-time military man Dreyfus, who lost his entire family to the virus, leads the human survivors. The truce between humans and apes is tested to breaking point when a diplomatic mission led by Malcolm, his wife Ellie and teenage son Alexander enters the forest to request access to the O'Shaughnessy Dam, which provides the city with its electricity.

  • GenreAction, Adaptation, Drama, Romance, Science Fiction, Thriller
  • CastAndy Serkis, Keri Russell, Gary Oldman, Kodi Smit-McPhee, Jason Clarke, Toby Kebbell.
  • DirectorMatt Reeves.
  • WriterRick Jaffa, Mark Bomback, Amanda Silver.
  • CountryUS
  • Duration130 mins
  • Official sitewww.dawnofapes.com
  • Release17/07/2014

Blending state-of-the-art special effects with an intelligent script, Dawn Of The Planet Of The Apes conjures two hours of animal magic that looks set to be crowned king of the blockbuster swingers. Tim Burton's abortive Planet Of The Apes is now a distant memory thanks to the 2011 revamp Rise Of The Planet Of The Apes and this superior sequel, which pushes the art of motion-capture performance to new limits.

Andy Serkis' exemplary work as Caesar, the super-intelligent chimpanzee who leads the ape uprising, is the film's emotional heartbeat. His ability to convey the character's rage, despair and passion through movement and subtle gesture is breathtaking.

Toby Kebbell is also compelling as Caesar's war-mongering rival, who believes the key to his species' survival is the extermination of humans. Mark Bomback, Rick Jaffa and Amanda Silver's script elegantly draws parallels between the feuding primates, juxtaposing tender scenes of parenting with bruising skirmishes that create divisions on both sides.

Ten winters have passed since simian flu ravaged the globe. In the absence of law and order, basic resources such as water, food and electricity are dangerously depleted. One-time military man Dreyfus (Gary Oldman), who lost his entire family to the virus, leads survivors of the ALZ-113 virus in San Francisco.

He dispatches a team led by family man Malcolm (Jason Clarke) to access the O'Shaughnessy Dam, which provides the city with electricity. In the forest that envelops the dam, the scouting party encounters apes led by Caesar, including his ambitious second-in-command Koba (Kebbell), impetuous son Blue Eyes (Nick Thurston) and Bornean orangutan Maurice (Karin Konoval).

Malcolm's trigger-happy compatriot Carver (Kirk Acevedo) shoots one of the apes and the humans are banished to their stronghold. Once Dreyfus learns about the neighbouring ape community, he asks Malcolm and co to refrain from telling the other survivors.

"They're talking apes with big-ass spears!" shrieks Carver. Malcolm realises that he must earn Caesar's trust to gain access to the dam so he prepares to return to the forest with wife Ellie (Keri Russell) and teenage son Alexander (Kodi Smith-McPhee).

"If you're not back in three days, we're going to go out there and kill every last one of them," warns Dreyfus.

Dawn Of The Planet Of The Apes is a slick thrill ride with brains as well as brawn. The grim mood, which permeates the first half, leads to all-guns-blazing war and director Reeves orchestrates these brutal sequences with elan.

Digital effects are jaw-dropping, giving birth to a realistic army of blood-thirsty apes who cram every chaotic, blood-spattered frame. The film's strong anti-gun message comes through loud and clear, but the appetite for destruction overpowers diplomacy.

"I always think ape better than humans," laments Caesar as his dream of lasting peace founders. "I see now how like them we are."

Showtimes (Click time to book tickets)

Tuesday 22nd July 2014
Wednesday 23rd July 2014
Thursday 24th July 2014

This film is also showing at:

Mrs Brown's Boys D'Movie 2 stars

movie title

Agnes Brown proudly runs a fruit and vegetable stall in Moore Street Market, continuing a tradition that has been passed down in her family for generations. She hopes to pass the stall to daughter Cathy but a dastardly developer intervenes with plans to bulldoze the market. Aided by Cathy as well as next-door neighbour Winnie and her family, Agnes resolves to take on the Irish establishment and give it a good spanking.

  • GenreComedy, Drama
  • CastRobert Bathurst, Brendan O'Carroll, Nick Nevern, Jennifer Gibney, Eilish O'Carroll, Sorcha Cusack.
  • DirectorBen Kellett.
  • WriterBrendan O'Carroll.
  • CountryUK/Ire
  • Duration94 mins
  • Official sitewww.facebook.com/MBBDMovie
  • Release27/06/2014

First conceived for Irish radio and then as a series of books, the misadventures of feisty Dublin matriarch Agnes Brown transitioned seamlessly from stage to small screen in 2011 with the birth of the BBC sitcom Mrs Brown's Boys. Creator Brendan O'Carroll cast relatives and friends in supporting roles, ensuring the programme was a true family affair.

Critics may have been unkind but the series gained an ardent following. The 2013 festive special topped ratings on Christmas Day, trumping Doctor Who. Now, Agnes and her dysfunctional kin stampede the big screen under the direction of Ben Kellett. Lord help anyone who gets in her way!

Agnes proudly runs a fruit and vegetable stall in Moore Street Market, which has been passed down through the family for generations. The foul-mouthed harridan hopes her daughter Cathy (Jennifer Gibney) will take up the mantle but a dastardly developer, PR Irwin (Dermot Crowley), intervenes with plans to bulldoze the site.

"They won't take me without a fight, whoever they are," Agnes tells Fat Annie (June Rodgers). Unfortunately, Agnes has a 3.8 million Euro tax bill to settle stretching back to her grandmother's time. Aided by Cathy, her sons Mark (Pat Shields), Rory (Rory Cowan) and Dermot (Paddy Houlihan), and next-door neighbour Winnie (Eilish O'Carroll), Agnes resolves to take on the Irish establishment and give it a good spanking.

Dermot's best friend Buster Brady (Danny O'Carroll), bumbling lawyer Tom Crews (Simon Delaney) and a well-to-do barrister called Maydo Archer (Robert Bathurst), who is prone to stress-related Tourette syndrome, pledge their support to Agnes's seemingly hopeless cause.

Mrs Brown's Boys D'Movie opens with a fire safety announcement from the eponymous matriarch "in case we have to ejaculate de building". This sets the crude tone for the next 94 minutes. Punchlines are depressingly predictable and the absence of a laughter track from a live studio audience exposes the script's dearth of gags and imagination.

O'Carroll evidently subscribes to the mantra: if it isn't funny on the page, add some profanities. While Spike Lee and Quentin Tarantino would probably doff their baseball caps to this slurry of gratuitous expletives, repeated uses of cuss words for desperate laughs becomes wearying.

Aside from the large-scale musical numbers that bookmark the haphazard narrative and a pointlessly protracted chase sequence, the film has no obvious cinematic ambitions.

A hare-brained subplot involving Mr Wang (Brendan O'Carroll again), Chinese owner of a school devoted to training blind ninjas, embraces hideous stereotypes that the malformed character might himself describe as "a rittle bit lacist".

Like its small screen counterpart, Mrs Brown's Boys D'Movie doesn't edit out gaffes and revels in moments when the cast corpse one another. If only we were so easily amused.

Showtimes (Click time to book tickets)

Tuesday 22nd July 2014
Wednesday 23rd July 2014
Thursday 24th July 2014

This film is also showing at:

Pudsey The Dog: The Movie 1 stars

movie title

Stray dog Pudsey crosses paths with siblings Molly, George and Tommy, who are poised to move from London "to some stupid cottage without WiFi" with their mother Gail. The eponymous mutt stows away in the family's removal trailer and is discovered when they arrive at their new home in the sleepy village of Chuffington. While Gail placates scheming landlord Mr Thorne, who hates dogs, Pudsey befriends horses Nelly and Edward and a pig called Ken, who thinks he's a chicken.

  • GenreAdventure, Comedy, Family, Family
  • CastJohn Sessions, Olivia Colman, David Walliams, Jessica Hynes, Izzy Meikle-Small.
  • DirectorNick Moore.
  • WriterPaul Rose.
  • CountryUK
  • Duration87 mins
  • Official sitewww.vertigofilms.com/film/pudsey.php
  • Release14/07/2014 (Scotland); 18/07/2014 (UK)

The sound of a pig repeatedly evacuating its bowels reverberates throughout Nick Moore's ham-fisted attempt to transform Britain's Got Talent's performing pooch into a modern-day Lassie. The porker's muck is an apt critique for Paul Rose's shambolic script that trades in toilet humour and misjudged innuendo. Some of the performances also beggar belief including John Sessions as the pantomime villain in tweeds.

He suffers the humiliation of a toe-curling flashback in which he plays a mother, father and infant in the same scene. Hopefully, Sessions was paid well for this half-hearted attempt at career suicide.

Elsewhere, David Walliams delivers a lifeless vocal performance as the four-legged hero, who hopes to travel the world and visit the Empire Sausage Building and Sausage Henge. The film handily omits to mention that if Pudsey realises his dream of scampering along The Great Sausage Wall, he could potentially end up on a local menu.

Closer to home, stray dog Pudsey (voiced by Walliams) crosses paths with siblings Molly (Izzy Meikle-Small), George (Spike White) and Tommy (Malachy Knights), who are poised to move from London "to some stupid cottage without WiFi" with their mother Gail (Jessica Hynes).

The eponymous mutt stows away in the family's removal trailer and is discovered when they arrive at their new home in the sleepy village of Chuffington. While Gail placates scheming landlord Mr Thorne (Sessions), who hates dogs, Pudsey befriends horses Nelly (Olivia Colman) and Edward (Peter Serafinowicz) and a pig called Ken (Dan Farrell), who thinks he's a chicken.

Pudsey The Dog: The Movie is a poor showcase of the eponymous cross breed. Viewers of Simon Cowell's talent search will be well versed in Pudsey's ability to perform acrobatic feats with guidance from trainer Ashleigh Butler.

On the big screen, he dances and twirls on hind legs, casts the occasional mournful glance at the camera and appears to converse with farmyard co-stars courtesy of digital trickery a la Babe.

Hynes and the younger cast are poorly served and parallel romantic subplots for Gail and Molly involving a handsome farmer (Luke Neal) and a teenage farmhand (Luke Tittensor) are sickly and unconvincing.

"Things are getting better," promises the chorus of one of the bubblegum pop songs that punctuate the soundtrack. Only when the end credits roll and we can leave. The ramshackle plot is interrupted by pointless diversions including the central character's incarceration in a secret dog prison that inspires a ludicrous Great Escape.

Amidst the pratfalls and a lame running gag about a giant pie, there are faint glimmers of heart-warming emotion including a timely mention of the Women's Land Army. However, good intentions are undermined by slapdash character development. If Pudsey The Dog: The Movie were an animal, we'd put it down humanely after 10 minutes.

Showtimes (Click time to book tickets)

Tuesday 22nd July 2014
Wednesday 23rd July 2014
Thursday 24th July 2014

This film is also showing at:

The Fault In Our Stars 4 stars

movie title

Sixteen-year-old Hazel Grace Lancaster was diagnosed with cancer at an early age. An experimental drug trial has halted the spread of the cancer and Hazel reluctantly attends a cancer patients' support group at the behest of her mother Frannie and father Michael. During one of these sessions, Grace meets acerbic survivor Gus. The spark of attraction between the teenagers is instant and they become close friends, united by a shared disdain for convention.

  • GenreAdaptation, Drama, Romance, Teenage
  • CastNat Wolff, Shailene Woodley, Ansel Elgort, Willem Dafoe, Sam Trammell, Laura Dern.
  • DirectorJosh Boone.
  • WriterScott Neustadter, Michael H Weber.
  • CountryUS
  • Duration126 mins
  • Official sitewww.thefaultinourstarsmovie.com
  • Release19/06/2014

Only a frozen heart could be unmoved as E.T. bids farewell to Elliot, Bambi cries forlornly in the forest for his fallen mother or Carl falls in love with Ellie in the opening sequence to Pixar's Up. The Fault In Our Stars will offer a stern test to the waterproof mascara of every teenager who fell in love with John Green's bestselling novel.

Josh Boone's polished adaptation deftly plucks heartstrings to the point that a trickle of saltwater tears threatens to become an unstoppable torrent. One tissue simply doesn't suffice as scriptwriters Scott Neustadter and Michael H Weber navigate the tricky topic of terminal illness with wry humour and sensitivity.

The film is blessed with a tour-de-force central performance from Shailene Woodley as a young cancer patient, who experiences the exquisite agony of first love just when it seems she has given up on life. The 22-year-old Californian actress doesn't hit a single false emotional note as her protagonist wrestles with guilt and mortality, catalysing smouldering screen chemistry with co-star Ansel Elgort.

Woodley plays 16-year-old Hazel Grace Lancaster, who was diagnosed with cancer at an early age and almost slipped away in hospital. An experimental drug trial has halted the spread of the disease but Hazel is resigned to her grim fate.

"Depression's not a side effect of cancer," she explains in voiceover, "it's a side effect of dying, which is what's happening to me." The teenager reluctantly attends a cancer patients' support group at the behest of her mom (Laura Dern).

During one session, Grace meets acerbic survivor Gus (Elgort), who lost his leg to halt the spread of his cancer. He is attending the meeting to support best friend Isaac (Nat Wolff). Grace and Gus's shared disdain for convention kindles friendship.

As the relationship intensifies, Hazel attempts to keep Gus at arm's length, warning that she "is a grenade", destined to obliterate everyone around her. "It would be a privilege to have my heart broken by you," he counters tenderly.

The Fault In Our Stars is a beautifully sketched portrait of adolescence, anchored by emotionally raw performances from the talented cast. Dern impresses as a parent braced for the anguish of burying her child, while Willem Dafoe injects spikiness to the role of Hazel's favourite author, who doesn't welcome fans with open arms.

Director Boone makes a couple of missteps, including a crudely engineered scene at Anne Frank's House in Amsterdam that feels wholly inappropriate. However, once our tear ducts start leaking, we forgive him and the script an occasional faux pas.

Showtimes (Click time to book tickets)

Tuesday 22nd July 2014
Wednesday 23rd July 2014
Thursday 24th July 2014

This film is also showing at:

Transformers: Age Of Extinction 2 stars

movie title

The alliance between humans and the robots has been broken and an elite CIA unit named Cemetery Wind now hunts the Transformers without mercy. Struggling inventor Cade Yeager and his family stumble upon Optimus Prime and help the Autobot leader to regain his strength. They head into the desert to reunite Bumblebee, Crosshairs, Drift and Hound. Together, the rebels must prevent fellow inventor Joshua Joyce from creating his own Transformer army led by the mighty Galvatron.

  • GenreAction, Adaptation, Adventure, Romance, Science Fiction
  • CastJack Reynor, Mark Wahlberg, Nicola Peltz, TJ Miller, Li Bingbing, Kelsey Grammer, Stanley Tucci.
  • DirectorMichael Bay.
  • WriterEhren Kruger.
  • CountryUS
  • Duration165 mins
  • Official sitewww.thetransformersmovie.co.uk
  • Release10/07/2014

If Michael Bay, director of Transformers: Age Of Extinction, were immortalised on-screen as a "robot in disguise", his mechanised alter-ego might be Maximus Kaboom. For two decades, the Californian film-maker has been elevating wanton destruction to a blockbusting art form.

In Armageddon, he pitted Bruce Willis and Ben Affleck against a gigantic asteroid on a collision course with earth and orchestrated destruction to the sonic booms of Aerosmith's I Don't Want To Miss A Thing.

The Japanese attack on Pearl Harbor provided Bay with a turbulent backdrop to his 2001 war opus. Since 2007, he has been ensconced in the Transformers fold, bringing bombast to live-action adventures of the bestselling Hasbro toys.

This fourth instalment is crammed with Bay's usual visual excesses and motifs, including gleaming cars and a pouting female protagonist in hilariously short denim shorts. Five years have passed since the Battle Of Chicago, which provided the pyrotechnic-laden climax to Transformers: Dark Of The Moon.

The alliance between humans and robots lies in tatters and an elite CIA unit named Cemetery Wind under the control of Harold Attinger (Kelsey Grammer) hunts Transformers without mercy. On a family ranch, struggling inventor Cade Yeager (Mark Wahlberg) discovers that a rusty truck he has just purchased is battle-scarred Optimus Prime (voiced by Peter Cullen).

Agents from Cemetery Wind descend on the homestead and Optimus protects Cade, his daughter Tessa (Nicola Peltz), her secret boyfriend Shane (Jack Reynor) and Cade's mechanic sidekick Lucas (TJ Miller) in the ensuing gun fight.

The humans join forces with Optimus to reunite the Autobots - Bumblebee, Crosshairs (John DiMaggio), Drift (Ken Watanabe) and Hound (John Goodman) - and the rebellion plots a swift response to inventor Joshua Joyce (Stanley Tucci), who has created his own Transformer army led by the mighty Galvatron (Frank Welker).

Transformers: Age Of Extinction opens with Cade and Lucas scouring an abandoned cinema for scrap metal. "Sequels and remakes - bunch of crap!" growls the grizzled owner as he surveys memorabilia from bygone blockbusters that litter the tumble-down building.

Never has a truer word been spoken in one of Bay's exercises in hyperkinetic style over substance. Screenwriter Ehren Kruger repeatedly defies logic to contrive outlandish scenarios for pyrotechnics and carnage, including an alien spaceship that sucks up metal then drops magnetically charged cars and boats onto terra firma.

Wahlberg punches and leaps through gaping plot holes, trotting out the concerned father routine as younger members of cast perform gravity-defying gymnastics to emerge from clouds of razor-sharp shrapnel without a graze or smudged lip-gloss.

Action sequences are visual vomit: an incomprehensible spew of glistening metal and explosions that hurt the eyes especially in the large-scale IMAX format. "The war will be over soon," barks Grammer's Machiavellian politician during a momentary lull. The buttock-numbing 165-minute running time says otherwise.

Showtimes (Click time to book tickets)

Tuesday 22nd July 2014
Wednesday 23rd July 2014
Thursday 24th July 2014

This film is also showing at:

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